Enchanted Gardens

An exhibition for the Festival of Flowers, curated by Dr. Warren Feeney, 2014.

“Sharnae Beardsley’s meticulous paintings of flora and fauna share much in common with 19th century botanical studies of plants and native species. Yet they remain conscious of the way in which such traditions of recording the natural world provide evidence of an intuitive need within humanity to order and comprehend nature and the universe. Beardsley was the winner of the Arts Gold Award in Alexandra in 2013 and has work in private collections throughout New Zealand”.  -Warren Feeney

Enchanted Gardens

Untitled 190612, 110114, 130114, 080114, 190114, Installed at Enchanted Gardens 2014

Enchanted Gardens Sharnae Beardsley art

Untitled 190612, 110114, 130114, 080114, 190114, Installed at Enchanted Gardens 2014

Enchanted Gardens Sharnae Beardsley art 1

Untitled 190612, 110114, 130114, 080114, 190114, Installed at Enchanted Gardens 2014

Enchanted Gardens

Untitled 130114, 080114, 190114, Installed at Enchanted Gardens 2014

Enchanted Gardens

Untitled 130114, Installed at Enchanted Gardens 2014

125 thoughts on “

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  8. High heeled shoes, like the corset, are an example of fashion supporting the female gender identity by constricting and binding women. The narrow toed high heel shoe that has been so popular in recent years, forces the foot and ankle into an unnatural position, as well as restricting the toes. The heel places the foot at an angle, making the legs look longer and more elegant and drawing attention to the ankle (which has long been associated with physical attraction) (Lurie, 1992, p227). This angle also forces the woman to ‘strut’ to some extent in order to walk. The unnatural position inevitably makes standing and walking for any length of time painful as well as making running at any speed an impossibility. Any woman in heels attempting to outrun a man is certain to fail, thus reaffirming mans position of dominance. Yet high heeled shoes are extremely popular and are considered quite stylish, even being worn with jeans (Lurie, 1992, p227). This example in particular highlights femininity as a construction being based on appearance not physical ability. The appearance of a long leg is considered superior to being able to actually utilize it. This unhealthy focus on women’s appearance rather than their physical ability and health has been perpetrated by the fashion industry for decades. One of the dominant messages that fashion conveys is that women should be thin (Macdonald, 1995, p201).

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  10. ブーツといつもお履きになっているシューズではサイズ感が違います。いつもお履きのシューズより1〜1.5cmくらい変わる場合もありますいつもお履きのシューズより、少し大きめのサイズをお買い求めになることをお勧めします。(1cm〜2cm程度)その後、厚手のソックスを履くことやインソールを挿入することでフィット感を高めるようにしてください大きめサイズを小さい足にフィットさせる方法はあります。ブーツもバイクと同じで、調整して履くという意識を持っておき、迷ったらひとつ大きめのサイズを選ぶようにしてください※履き始めに

  11. Fashion perpetuates the image of the slender woman being the ideal feminine and can sometimes have significantly detrimental effects. Due to the mass production of clothing, it has become easier for the fashion industry to encourage women to be slender (Macdonald, 1995, p208). Many of the most fashionable garments are not made larger than a woman’s Australian size fourteen. This encourages women to diet and exercise in order to lose weight, a trend also encouraged by the many advertisements involving slender women. One disturbing result of society’s fascination with being thin has been the rise in eating disorders, including anorexia (Macdonald, 1995, p208). In Australia’s November 2004 issue of Cosmopolitan an article was run entitled ‘Anorexia for Sale’. This article discussed Mary Kate Olson, a well known actress, and her public struggle with Anorexia Nervosa. Images of Olsen and other famous women who appear to be unhealthily thin, such a Kate Moss, have been used on websites known as ‘pro ana’ sites, that is, websites supporting anorexia as a ‘lifestyle choice’ as opposed to an illness (Percival, 2004, p62). Many of these sites have begun to sell ‘ana bracelets’ and ‘ana necklaces’ which are a means of identifying other anorexics and which serve as a reminder not to eat. This jewellery has proven quite popular within the anorexic community (Percival, 2004, p62). This is an extreme example of fashion (or in this case accessories) being used to specifically propagate the idea of being thin. On the other hand clothing can also be used to raise awareness of eating disorders and encourage women not to go so far. T shirts with the slogan ‘Save Mary Kate’ and a drawing of her emaciated figure were released with just this intention (Percival, 2004, p62). Released when Mary Kate began her rehabilitation, the emaciated drawing on the t shirts is far from attractive and draws attention to her bones and the unnaturalness of being so thin. The words ‘Save Mary Kate’ could be read in one of two ways however, they could refer to the fact that she is need of help, thus constructing her as a victim, or they could be referring to the desirability of her image and a wish that she remain so thin, thus the implication could be ‘Save Mary Kate from the rehabilitation clinic’. This second reading is supported by the image itself, in which she is smiling and returning the gaze of the viewer. This subverts the intended message that she is a victim.

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  16. The ‘gaze’ plays a significant role in the maintenance of the male/female binary and as such the separation of gender identities. The ‘gaze’ (that is, the act of looking at and objectifying the opposite sex) is considered predominantly masculine, with many images of women in the media being constructed for the male audience (Barnard, 1996, p140). However when a man is the subject of the gaze the binary is not destroyed, as merely reversing the act of ‘looking’ and being ‘looked at’ does not alter the active/passive, male/female binary. These must be transcended in order to begin breaking down the distinction between gender identities (Barnard, 1996, p140). As such fashion, by encouraging the male gaze and helping to define masculine from feminine is supporting the male/female binary. Cross dressing is one way of making it especially clear that this male/female binary exists.

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